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I = πTLobj ⁄ 4N 2 (2)
where
I is the illuminance at the Image (sensor) plane in lux,
T is the lens transmittance fraction, generally assumed to be 0.9,
Lobj is the luminance at the Object plane (test chart) in candelas per square meter,
N is the f-stop (aperture).
Lobj = (0.18 ⁄ 1.414) Lsat = 0.1273 Lsat
1.414=141.4%值传感器可以包容的极限反射率大概是超过90%的纯白物体的反射。
传感器实际测得亮度同这个18%时候的标准基数相比就可以得出实际的物体反射的亮度了,然后带入公式计算得到EV值,然后再推算出 EV参数设置。
EV is defined mathematically as follows:
In the above formula, Aperture is the x.y in Fx.y, and Shutter Speed is the shutter speed in second. Thus, F4.0 and shutter speed 1/2 second yields EV=log2(42/(1/2))=5, and aperture F2.8 and shutter speed 1/4 second also yields an EV of 5. This means that the combination of aperture F4.0 and shutter speed 1/2 second and the combination of aperture F2.8 and shutter speed 1/4 second have the same exposure value and lie on the same EV line. Thus, in terms of a good exposure, the combination of F4.0 and 1/2 second is equal to the combination of F2.8 and 1/4 second!
~shene/DigiCam/User-Guide/4500/EXPOSURE/EV-overview.html
Phil在这本书的前言部分写到了黑白照片,“对我来说,黑白照片更有深度,它给了照片更柔和、更深层次的质感。那些灰色和阴影给照片带来了真正的活力。”你能解释一下这种观念,以及你是怎么做到的么?
Berstein:当你把 照片中的颜色去掉只留下黑白两色时,颜色的视觉冲击就不再重要,人们会更多的关注照片中所包含的情感。并不是说有颜色不好,我99%的时间并不是在拍黑白 照片,而是当你用黑白照相机记录下通常是彩色的世界时,比如比赛或者训练等等内容,那就会有一种真正的记录片似的的感觉。
| ZA | Zeiss for A-mount |
Zeiss lenses made for the Minolta/Sony A-mount. Available as top-end lenses for Minolta and Sony DSLRs (and some film SLRs). |
| ZF | Zeiss for F-mount |
Zeiss lenses made for the Nikon F-mount. These manual-focus only lenses are ultra-high quality and are generally considered to be some of the best made. |
| ZK | Zeiss for K-mount |
Zeiss lenses made for the Pentax K-mount. These manual-focus only lenses are the same ultra-high quality as the other mounts. |
| ZM | Zeiss for Ikon |
Zeiss lenses made for the Zeiss Ikon rangefinder camera. |
| ZS | Zeiss for M-42 Screw-mount |
Zeiss lenses made for older M-42 screw-mount cameras. These manual-focus only lenses are not only used for older film cameras, but can be fitted with adapters to work on many newer cameras.. |
| ZV | Zeiss for Hasselblad |
Zeiss lenses made for the Hasselblad medium-format cameras. These manual-focus only lenses are used where critical sharpness is needed for the larger film format and now, larger digital sensors. |
说先看底片感光赫德图
亮度范围,密度概念的产生:
亮度范围,密度,透光率,阻光率,知道其中一个数字,可以推出其他3个数字,
密度:
密度计工作原理
密度可以定义成测量入射光被表面吸收的比例。密度表示了物体吸收光量大小的性质.物体吸收光量大,其密度就高:物体吸收光量小,其密度就低。
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